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5

(occasional comments involving scripture or Jesus)

6

(sexuality, violence, drunkenness)

6

(worth seeing more than once)

In some ways season 3 of Smallville is the strongest one thus far, but I take issue with a few things in it. On the positive side are some really well done story concepts. The insanity of Lex and murder of his grandparents story arc is interesting and tightly written. Perry White makes an appearance. Not only is this a good story, but Michael McKean makes an unusual but believable Perry. Clark develops his super-hearing. New powers are always fun, and as usual there is a trigger that makes for a good story. More of Jor El’s character is revealed though his true motives are still unclear.

 

On the not particularly weak but not strong front is a deepening of the prophecies tied to the caves. While this makes for some decent episodes, the Kryptonian link to the Native American tribe in ancient times is never explained to my satisfaction. The caves have a purpose, but having them set up so long ago doesn’t mesh with what I remember of Kryptonian history (Kal is sent to Earth because Jor can’t stop the impending explosion of their planet, and nobody believes his theories of the danger). Caves set up for Clark so long before his arrival suggest a foreknowledge that could have been used to save the planet or at least relocate the inhabitants. It’s possible the Kryptonians just wanted a link to Earth and entrusted the specific tribe to care for it, but that doesn’t explain the link to the prophetical foreknowledge.

 

One of the major weak points is the frequent, wild fluctuation in the relationship of Clark and Lana. He pushes her away and she begins chasing him, at first the reversal of roles is good. Soon, though, they cease speaking, try to make up, he pushes her away, then tries to make up, then she pushes him away, back and forth. Meanwhile they both fall for other people only to return to this roller-coaster relationship. The whole thing gets annoying and their scenes together start losing steam.

 

Another issue I have is that everybody, and I do mean everybody, that comes into the lives of the regular characters have nefarious secrets. It’s fine to do that some, but after a while it starts becoming predictable and less realistic. I think it would be far more interesting to have some of these people innocently pulled into this strange life and have that interaction affect them rather than them being the ones doing the affecting. Instead the characters do 180s on a dime displaying a history of deception rather than actual character development. I guess it’s the destruction of the misleading character development that I really don’t like, but I won't go into the specifics for the sake of avoiding spoilers.

 

One last element that bothers me is something best illustrated by the episode “Talisman” but is not limited to that one story. In fact, it bothers me more precisely because it happens far too often. Clark has spent years controlling and honing his powers. It took training to control his super senses and heat vision. With few exceptions over the course of the series everyone that picks up similar powers, such as the villain in this episode, immediately exhibits control that rivals Clark's. Clark has no advantage over them from his years of training. Granted he still always beats them, but it's unreasonable to think that every human that steps into his shoes is immediately going to be a match for him.

 

The look and production quality of the show are excellent. The graphics are far improved over the first season, and the actors have gotten continuously better. Kristin Kreuk is still the weakest, but she has picked up a little more emotional range and doesn’t laugh with the utterance of every single line. She still laughs too much in her delivery but not so much. I’ve said in the past that Allison Mack and Sam Jones are mostly pretty good but falter at times. No longer, they carry their parts perfectly now. They both have some emotional scenes that they sell like veterans. Tom Welling is solid though Michael Rosenbaum still outshines them all. He goes from the consummate businessman – cold, calculating, and ruthless, to the caring friend, to the emotional basket-case, and he nails everything he does. Terence Stamp (General Zod in the Christopher Reeve movies) is the voice of Jor El. He doesn’t have a whole lot to do, but he brings a strength to the lines.

 

Essentially if you have liked the seasons up to this point you will surely like this one as well. It's very similar to what we've been seeing but with some improvements in the production quality.

Morality

As with the previous seasons there is a little strong language in most of the episodes. It's mild and infrequent enough to not be bothersome to most viewers.

 

There are some steamy scenes and some shots that get close to nudity though without actually crossing the line. Clark and Lana take a skinnydip. We see them strip down, but it's otherwise pretty tame. “Obsession” has a very steamy love scene with a girl who is wearing very little. Chloe's shirt is pulled open for a look at what she has on underneath, but it's neither sexual nor as revealing as some of the other underwear scenes. A girl claiming to be Kara shows up in the season finale and walks around stark naked for a while. We see enough to know she's unclothed but without any actual nudity.

 

The violence continues as it has been though Clark acts in true heroic fashion doing everything he possibly can to save lives no matter what it costs him. Lex is essentially imprisoned and tortured in the name of mental health. Some of the scenes with him are brutal. “Delete” has a couple of gruesome murders such as death by pencil. Clark goes head to head with another super-powered guy with destructive results. One angry kid takes it upon himself to hunt down meteor-infected people with a rifle.

 

Perry White is a drunk, but the effects that has on his life are depicted as near disastrous.

Spirituality

The criminal Clark under the red K influence could be a metaphor for following false gods. He seems to have it all – money, respect, a care-free life – but really he is living an unfulfilled life while hurting those he loves most. We will find a similar feeling of unfulfillment if we chase empty pleasures. The answer to Clark's troubled life may not be one of religious faith, but it does involve the unconditional love of his father and taking responsibility for mistakes made.

 

In “Relic” we get a look into the past. Lana's aunt is cheating on her husband, and the show romanticizes it. Lana does comment that what her aunt did was wrong, but it seems more obligatory than sincere; there isn't a lot of conviction there. This is bothersome to me.

 

Otherwise the show occasionally tosses in mentions of scripture or Jesus.

Final Thoughts

Despite the plot flaws I’ve mentioned this is a mostly strong and fun season. Superman purists don't always enjoy it, but I get a kick out of the superhuman action even if we aren't dealing with full-fledged heroes just yet.

Buying Guide

"Smallville" season 3 continues with the same template set down by the previous 2 releases.

 

Basically you can get season 3 as a set by itself and as part of the series box set.

 

Since I've already described the box set in detail in previous guides (which I'll assume you've looked through if you're looking to get the entire series rather than just season 3) I'll just note the main points here. You get some extra extras with it that sound tempting, but reviews say that the packaging is poorly designed and is prone to damage the DVD's. Also there is no HD (for the later seasons that offer that option).

 

Final Recommendation:

The extras for this set are arguably the best so far with enjoyable commentaries and interesting deleted scenes. I wish more seasons offered us outtakes, and virtually none of their bonus series segments from this point on are as good as the Chloe Chronicles. If you liked the first 2 seasons, this is a must-have. I'll be avoiding the box set after reading all the negative comments about it.

The Complete Third Season TVD is a 6 disc package.

 

Video

1.78 widescreen:

The image is strong with less grain or other imperfections than the previous seasons.

Audio

2.0 Dolby:

The audio is clear and strong though the voices sometimes sound too much like they were obviously recorded in a studio.

 

Packaging

The TVD continues with the design set down by the first two.  The disc trays are put together like a book that fits in an outer box. Opening it up too many times will case the spine to crease and look unattractive, but the functionality is convenient. I think this has been repackaged in a plastic case similar to that of the later seasons which I would definitely recommend over the original design.

 

The insert has a yearbook design though the style is different from the previous ones.  It contains notes, images, episode chapters, some credits, air dates, summaries, and extras listings.  With so many releases getting away from inserts of any kind it’s great to not only see one, but one with some creativity put into it.

 

The interface features the same slideshow animation and theme song loop that the previous sets have. 

 

Extras

 

Episodes

Season 3 has 22 episodes from 41 – 44 minutes long. They are divided into chapters with one of those ending at the end of opening for easy skipping if you don't want to see it 22 times back to back. A play all option minimizes trips to the interface.

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